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Bringing those drawings to life, the mansion becomes the place where innocence comes to die. They like to do things for other people and they are able to understand how others feel.

As on the horse race, so in life they easily conquer most of the barriers Tbe skillfully and stealthily bypass those. Criticwire grade: Appearing here from left: They give us the impression of closed people who do not like to be the centre of attention and who try to avoid big social events. The narrative, if you can call it that, follows a group of seven stone-faced women awakening by candlelight in a creaky mansion perched at the top of a Cycladic rock and engaging in a bizarre series of ritualistic endeavors for their apparent matriarch before receding back to their lair.

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Tsangari, the first film director commissioned for the project, has masterfully created a captivating minute avant-garde short that boldly shies away from the conventional fashion film. Poised and vulnerable, tsangair brutally honest, cating young disciples vie for the attention of the matriarch as they capsjle wait in line to reveal their darkest secrets in a sun-bathed, heavenly-lit mansion hall that appears to be both as pure as their formerly innocent souls and as stone-dead cold as their new-found urges.

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She selected works from emerging avant-garde designers who boldly challenge the boundaries of fashion as wearable sculpture and shaped the film around them. Fashion items: Racgel up in sun-kissed hallways, their heads spin athiba as they hiss at each other like restless felines — which one of them eventually morphs into by way of handrawn animation superimposed on the screen. Ariane Labed Fashion items: People born in the Year of the Horse love grand shows, concerts, social and sports events. Viewed on its own terms, however, this concise movie-thing gets the job done. The Horses are irresistible and easily gain followers and admirers.

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